Forgotten History - The 1897 Legendary Battle of Saragarhi క‌నుమ‌రుగైన సిక్కుల పోరాటగాథ! M Planet Leaf

Forgotten History - The 1897 Legendary Battle of Saragarhi! | కాలంతో క‌నుమ‌రుగైన సిక్కుల వీరోచిత పోరాటగాథ! | M Planet Leaf (MPL) Videos Exclusive

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The Battle of Saragarhi was fought before the Tirah Campaign on 12 September 1897 between Sikh soldiers of the British Indian Army and Pashtun Orakzai tribesmen. It occurred in the North-West Frontier Province (now Khyber Pakhtunkhwa, Pakistan).

The British Indian contingent comprised 21 Jat Sikh soldiers of the 36th Sikhs (now the 4th battalion of the Sikh Regiment), who were stationed at an army post and were attacked by around 10,000 Afghans. The Sikhs, led by Havildar Ishar Singh, chose to fight to the death, in what is considered by some military historians as one of history's greatest last-stands. The post was recaptured two days later by another British Indian contingent.

Sepoy Bhagwan Singh was the first one to be killed. Naik Lal Singh was severely injured, but still, he along with Sepoy Jiwa Singh carried Bhagwan Singh’s body to the inner layer of the post.

The last man standing was Sepoy Gurmukh Singh, the man who communicated the battle to Haughton. Before he took his last breath, he exclaimed “Bole So Nihal, Sat Sri Akal!”

Sikh military personnel commemorate the battle every year on 12 September, as Saragarhi Day.

The 21 Sikh non-commissioned officers and soldiers who died in the Battle of Saragarhi were from the Majha region of Punjab and were posthumously awarded the Indian Order of Merit, at that time the highest gallantry award which an Indian soldier could receive. The corresponding gallantry award was the Victoria Cross. The award is equivalent to today's Param Vir Chakra awarded by the President of India.

The names of the 21 recipients of the gallantry award are:

Havildar Ishar Singh (regimental number 165)

Naik Lal Singh (332)

Lance Naik Chanda Singh (546)

Sepoy Sundar Singh (1321)

Sepoy Ram Singh (287)

Sepoy Uttar Singh (492)

Sepoy Sahib Singh (182)

Sepoy Hira Singh (359)

Sepoy Daya Singh (687)

Sepoy Jivan Singh (760)

Sepoy Bhola Singh (791)

Sepoy Narayan Singh (834)

Sepoy Gurmukh Singh (814)

Sepoy Jivan Singh (871)

Sepoy Gurmukh Singh (1733)

Sepoy Ram Singh (163)

Sepoy Bhagwan Singh (1257)

Sepoy Bhagwan Singh (1265)

Sepoy Buta Singh (1556)

Sepoy Jivan Singh (1651)

Sepoy Nand Singh (1221)

The epic poem "Khalsa Bahadur" is in memory of the Sikhs who died at Saragarhi.

The battle has become iconic of eastern military civilisation, the British Empire's military history and Sikh history. The modern Sikh Regiment of the Indian Army continues to commemorate the Battle of Saragarhi on 12 September each year as the Regimental Battle Honours Day. To commemorate the men the British built two Saragarhi Gurudwaras: one in Amritsar, very close to the main entrance of the Golden Temple, and another in Firozpur Cantonment, in the district that most of the men hailed from.

The Indian military, in particular the Indian Army, has been pushing for the battle to be taught in India's schools. They want it taught due to the heroism shown by the Indian soldiers to act as inspiration for young children. There were articles like these, printed in the Punjab's longest-established newspaper, The Tribune, in 1999: "the military action at Saragarhi is taught to students the world over and particularly to students in France." The news was enough to provoke political debate, and the battle has been taught in schools in Punjab since 2000.

The Punjabi power – haven’t we all heard how Sikhs have a bigger hearts than their chests. Sardars are often called super-human entities. Have you ever seen a Sardar Ji begging? Never, right? That’s because the Khalsa says - a Sikh must live on honest labour, give generously to the ones in need, because they believe whatever is given is given to the Guru. And when it comes to courage and valour, Sikh Regiment is one of the most decorated in the country.

Apart from jokes doing the rounds about Punjab Kesari and Zubaan Kesari, when the trailer of Akshay Kumar starrer Kesari had revealed, everyone was in awe of the powerful punch that it delivered in just three minutes.

2019 has brought a wave of patriotism in Bollywood, especially after the release of films like Uri: The Surgical Strike and Manikarnika among others. Now, Kesari, starring Akshay Kumar, is also one of the most anticipated movies of the year.

The historical battle drama is directed by Anurag Singh, who is known for films like Jatt & Juliet 1 and 2, Punjab 1984 and Super Singh.

Much more is explained in Telugu in our above video. Share your thoughts in comments! And do not forget to like and share the video links...

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కాలంతో క‌నుమ‌రుగైన సిక్కుల వీరోచిత పోరాటగాథ, Forgotten History - The 1897 Legendary Battle of Saragarhi, battle of saragarhi history in telugu, battle of saragarhi, the battle of saragarhi, mplanetleaf, 21 sarfarosh saragarhi 1897, kesari movie real story, voice of maheedhar, maheedhars planet leaf, Facts in Telugu, planet leaf latest videos, m planet leaf, patriotic story, kesari real story, 21 sikh soldiers story, akshay kumar, kesari story in telugu, film kesari real story

చిత్రగుప్తుడు

చిత్రగుప్తుడికి ఇద్దరు భార్యలు.మొదటి భార్య సూర్యదక్షిణ నందిని. ఈమె బ్రాహ్మణ స్త్రీ, నలుగురు కొడుకులు.వారి పేర్లు భాను, విభాను, విశ్వభాను, వీర్యభాను. నలుగురు కూతుళ్లు ఉన్నారు. వారి పేర్లు పక్షిణి, మాలతీ, రంభ, నర్మదా.రెండో భార్య పేరు పార్వతీ శోభావతి. ఈమె క్షత్రియ స్త్రీ, ఎనిమిదిమంది కొడుకులు ఉన్నారు. వారి పేర్లు చారూ, సుచారు, చిత్రాఖ్య, మతిమాన్‌, హిమవన్‌, చిత్ర్‌చారు,అరుణ, జితేంద్రలు. కూతుళ్లు ఎనిమిది మంది. వారి పేర్లు భద్రకాళిని, భుజ్‌ గాక్షి, గడ్‌ కీ, పంకజాక్షి, కొకల్సూత్‌, సుఖ్‌ దేవి, కామ కాల్‌, సౌభాగ్యినిలు.

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* వేదాలలో

వేదాలలో కూడా చిత్రగుప్తుడి గూర్చి ఉంది. యమధర్మరాజు మనుషులు చేసిన పాపాలు, పుణ్యాల గూర్చి తన వద్ద సమాచారం అస్పష్టంగా ఉందని బ్రహ్మతో మొరపెట్టుకుం టాడు. అపుడు బ్రహ్మ చిత్రగుప్తుడిని సృష్టిస్తాడు. పద్మ పురాణంలో చిత్రగుప్తుడు యమధర్మరాజు మనుషులు చేసిన మంచిచెడు విషయాల రికార్డు తయారు చేశాడు. భవిష్యపురాణంలో చిత్రగుప్తుడి సంతానం కాయస్త్‌ పేరిట భూలోకాన పరిఢవిల్లుతుంది. విజ్ఞాన తంత్ర కూడా అదే విషయాన్ని చెబుతుంది.

* చిత్రగుప్తుడి పూజా సామాగ్రి

చిత్రగుప్తుడి పూజలో పెన్ను, పేపరు, ఇంక్‌, తేనె, వక్క పొడి, అగ్గిపెట్టె, చెక్కెర, గంధం చెక్కె, ఆవాలు, నువ్వులు,తమలపాకులు ఉంటాయి. న్యాయం, శాంతి, అక్షరరాస్యత, విజ్ఞానం ఈ నాలుగు గుణాలు పొందడానికి చిత్ర గుప్తుడి పూజా సామాగ్రిలో ఉంటాయి.

* అకాలమృత్యువును జయించొచ్చు

వాన రాకడ ప్రాణం పోకడ తెలియదంటారు పెద్దలు. వాన వచ్చే విషయాన్ని అయినా కొంతవరకు చెప్పవచ్చుగానీ ప్రాణం పోకడ గూర్చి ఎవరూ చెప్పజాలరు. అకాల మృత్యువు వల్ల ఆ కుటుంబం దిక్కులేకుండా పోతుంది. వారి మీద ఆధారపడ్డ వారంతా అనాథలవుతారు. పిల్లల చదువులు, పెళ్లిల్లు అర్దాంతరంగా ఆగిపోతాయి.

పుట్టినవారు గిట్టక మానరు కానీ అకాల మృత్యువును జయించడం సాధ్యం కాదు. దీన్ని ఎదుర్కోవడానికి చిత్రగుప్తుడు కొంతవరకు సహకరిస్తాడని భక్తుల నమ్మకం. ఎందుకంటే చిత్రగుప్తుడు యమ ఆస్థానంలో అకౌంటెంట్‌ లేదా రికార్డ్‌ కీపర్‌. మనం చేసిన పాపపుణ్యాల చిట్టా చిత్రగుప్తుడి వద్ద ఉంటుంది.పాపాల చిట్టా పెరిగినప్పుడే యముడు తన లోకానికి తీసుకెళ్తాడన్న ప్రచారం ఉండనే ఉంది.

12th Century Saint Akka Mahadevi’s Complete Surrender! | 12వ శతాబ్దానికి చెందిన అక్కమహాదేవి గాథ! M Planet Leaf

12th Century Saint Akka Mahadevi’s Complete Surrender! | పన్నెండవ శతాబ్దానికి చెందిన అక్కమహాదేవి విచిత్రమైన గాథ! | M Planet Leaf (MPL) Videos Exclusive

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Born in the 1100s in the small hamlet of Uduthadi, Karnataka, Mahadevi was initiated into the worship of the Sivalinga at the age of ten and considered herself betrothed to Lord Siva. She spent her adolescence in His worship and composed vachanas that spilled over with fervent longings for her Beloved, whom she called, “Chenna Mallikarjuna” or “Lord, White as Jasmine,” the name of Siva in her home town temple.

Vachanas hold a unique place in the long history of Kannada literature. Simple in diction, these are the rich, spontaneous outpourings of the medieval socio-religious Virasaiva reformers of Karnataka. They opened the doors for the common man to participate in the personal experience and worship of Lord Siva through the vernacular language of the day, at a time when Sanskrit was reserved only for the upper castes..

Vachanas combine the lucidity of prose with the rhythm of poetry, marked by certain internal rhymes and syntactic parallelisms. More than 20,000 vachanas have been composed by over 300 prominent Virasaivas. Some 300 of these are credited to Akka Mahadevi, and hers are considered among the most poetic. Her brief but deeply intense verses sparkle with the magic and music of words, conveying the core spiritual philosopy in a poignant tone of one intoxicated with divine love.

Through Mahadevi’s vachanas we can trace the contours of her life on her journey towards moksha, ultimate liberation. We gather that she was a stunning young beauty. King Kaushika, the ruler of the land, fell passionately in love with her the moment he saw her. But she spurned his request for marrage, “But for my Chennamallikarjuna, all men are mere dolls!” she chided the king.

A persistent Kaushika threatened her family with grave consequences until she relented and agreed to marry him on the condition that he would not force himself on her without her consent. When he later failed to keep his promise, Mahadevi walked out on him. As she departed the palace, a wrathful Kaushika demanded the return of all the jewels and extravagant clothes he had presented his wife. Defiant, Mahadevi stripped herself bare and stepped out onto the streets as a digambara— a saint without any clothing.

She walked on foot to Anubhava Mantapa or “Abode of Experience,” a center for philosophical/spiritual discussions in Kalyani presided over by Allama Prabhu where Virasaivas like Basavanna and Chennabasavanna congregated. When Mahadevi, wandering with out clothes, arrived at Anubhava Mantapa, she was greeted with much skepticism. Allama Prabhu, uncertain of her spiritual competence, challenged, “Why come you hither, O woman in the budding blossom of youth? If you can tell your husband’s identity, come, sit. Else, pray, be gone!” Mahadevi answered.

Allama Prabhu interrogated her for a long time, and at the end of it, all the Virasaivas recognized Mahadevi’s worth. Allama Prabhu acknowledged: “Your body is female in appearance, but your mind is merged with God!” Thus, Mahadevi came to be accepted in their inner circles, and out of respect and affection, she came to be called Akka or elder sister.

Akka Mahadevi continued her tapas in Kalyani under the guidance of Allama Prabhu, and the vachanas composed at this stage reflect her progress.

After a few years of sadha­na, Akka Mahadevi went to the famous Siva temple at Sri Sailam in Andhra Pradesh. It is said that she spent the last months of her life in various caves, completing her process of enlightenment, and attained Mahasamadhi, divine union with her Lord. Unverifiable historical records indicate that she died in her mid-twenties. Legend tells us that she was consumed in a flash of light, leaving only her poems behind as a chronicle of a spiritual journey that still evokes awe and respect in the hearts of all.

The poems of Karnataka’s Virasaiva saints embody the deepest devotion to Siva and point us to the highest reaches of spiritual attainment.

Description Coutesy: MANJUSHREE HEGDE, BENGALURU

Much more is explained in Telugu in our above video. Do you know any other interesting facts? Let us know in the comments below what your favorite fact is! Share your thoughts in comments! And do not forget to like and share the video links...

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12th Century Saint Akka Mahadevi’s Complete Surrender!, పన్నెండవ శతాబ్దానికి చెందిన అక్కమహాదేవి విచిత్రమైన గాథ!, maheedhars planet leaf, planet leaf videos, mplanetleaf, planet leaf latest videos, Mahabharatam in Telugu, pmb tv videos, Akka Mahadevi’s vachanas, maheedhar vallabhaneni, mpl, interesting facts, voice of maheedhar, m planet leaf videos, akkamahadevi full movie telugu, mpl videos, akka mahadevi vachana in kannada, akka mahadevi caves in srisailam, Veerasaiva reformers